Mostly mozart new york 2011

His performance was almost too refined. Still, he played with beautiful colorings and articulate touch, especially in the rousing, high-spirited finale. Every note spoke, and he had a musical idea about every phrase. After the gracious, buoyant opening movement the concerto has a halting, almost tragic adagio in a siciliano rhythm.

Here Mr. Pohjonen, backed by the sensitive playing of Mr. In a preconcert recital Mr. But if you looked a bit closer, you noticed that his Haydn — the Symphony No.

Instead of the conventional movement layout — fast, slow, a minuet and a fast finale — this one begins with an Adagio, followed by a Presto; the final two movements are in the conventional order.

Moreover, Haydn had his oboists play English horns instead, and he wrote difficult, perilously exposed French horn lines. Rhorer struggled with this at first.

New York's acclaimed contemporary ensemble ICE International Contemporary Ensemble also begins a three-year Festival residency this summer and is the centerpiece of the festival's Stravinsky focus.

In recognition for artistic leadership andinnovation in the many programs of Lincoln Center and following a generous gift from Anne and Joel Ehrenkranz, Jane Moss was named Ehrenkranz Artistic Director of Lincoln Center today. We look forward to providing audiences a musically rich and multi-layered exploration of our fascinating and remarkable namesake composer and his immeasurable impact on artistic creation up throughour own time.