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Dynamite live, be sure to catch her on tour this summer. She has since collaborated with the likes of Rick Ross, Chris Brown, will. We and our partners use cookies to better understand your needs, improve performance and provide you with personalised content and advertisements.

To allow us to provide a better and more tailored experience please click "OK". Sign Up. Travel Guides. Videos Beyond Hollywood Hungerlust Pioneers of love. Gina Chahal. Speech DeBelle. Wretch Plan B. Give us feedback. Read Next. Hand Picked Places to Stay in London. Hampton by Hilton London Park Royal. Lansbury Heritage Hotel. IAMDDB is a young and exciting new talent hailing from Manchester, known for her hybrid of trap-soul and sultry jazz-infused vocals.

During his early career, Mist collaborated with fellow Birmingham resident and producer Shadow, who would create languid yet melodic beats for Mist to navigate. Northampton born and bred, Slowthai is the rapper speaking out for a generation of kids. His lyrics are cut through with a rawness and unflinching honesty that has the listener hanging on every elongated word the slowthai moniker comes from a childhood nickname, born out of friends commenting on his slow, drawled speech.

Hailing from Camden, North West London — Ambush Buzzworl stands out for his concise lyrical flow and polished delivery. They have unstoppable talent for splicing their tunes with addictive hooks, cold hood realities and endlessly quotable catchphrases. Flohio , grew up in Bermondsey, known for her punchy, poetic lyrics are often confessional. The rapper released her debut EP Nowhere Near in He took a hiatus from the music industry for several years before returning in with his first album, Dear Listener.

His aggressive style was encapsulated in his first official independent release, the Open Mic EP in Our audience loves discovering new music by talented artists and bands. List of Contents. Submit your music to our blog Our audience loves discovering new music by talented artists and bands Submit Now.

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Every emcee who's picked up a mic since Brand New Second Hand dropped in is in his considerable debt, whether they know it or not. How many MCs can be said to have changed British music from the underground and the mainstream alike? Not many. It helped get her signed to major label Polydor, but the tune's more remarkable legacy is that it's such a timeless club banger, still regularly heard on dancefloors across the UK, 17 years later.

Nonetheless there's a sense that Dynamite is overlooked, like much of UK garage history. Her impact on pop culture in the early s as a confident, articulate, politically sharp MC, making waves for black British culture in a scene dominated by male MCs who kept shooting themselves in the foot in Neutrino's case, literally , is too easily forgotten. Grime's self-anointed Godfather, musical heartbeat and proudest, loudest, unapologetically reckless ambassador has arguably done more for the genre than any other.

As a lyricist, he remains the genre's most iconic. As comfortable spitting in his kitchen on Instagram as he is in front of thousands on stage, Wiley is grime.

And grime is Wiley. A sensational live MC in the dance and on radio sets, Riko's career straddles genres and decades, beginning on London pirate stations in the mids as a jungle MC.

His power is all in his flexible delivery, switching effortlessly between the deep-voiced, patois-heavy style of ragga and an altogether more cockney-sounding grime flow.

His greatest triumph? Having the best vocal on Ice Rink, possibly Wiley's grimiest ever instrumental. Kano, Dizzee Rascal and Tinchy Stryder vocalled the classic too, along with four other MCs, but only Riko had the might to dominate the riddim.

His latest singles go as hard as he did on Pressure FM, all those years ago. While still in his teens Dizzee Rascal pioneered an abrasive, aggressive sound. He entered the music industry in his prime; part enfant terrible, part extraordinary innovator.

Dizzee pushed the sound across continents, earning a Mercury Prize that was followed by platinum plaques. You could call him the Martin Parr of music, showcasing the beauty in the mundane.

Mike Skinner is the MC who brought suburban working class culture to the forefront. For many, it was the first time hearing a UK voice from outside of London rapping on the radio. Always committed to supporting new talent, Skinner has helped launch the careers of Kano, Ghetts and Murkage Dave, also stylistically opening the door for unusual artists like Jimothy Lacoste and more conventional rappers like Professor Green and J Hus, who himself has cited The Streets as a major influence.

His back catalogue looks as thin as his frame, but Skinnyman's legend looms large over the history of UK hip-hop.

Fifteen years on, and rappers not fit to lace Skinny's boots have turned that truism on its head. Council Estate of Mind, that dazzling debut, is a definitive document of the times in more ways than just that one. Skinny's fearsome freestyle prowess saw him face down Eminem with off-the-top-of-the-head disses during the supposed battle-rapper's first British gig. But his greatest talent is his ability to mine bigger, universal truths out of private and personal moments. He did this throughout an LP that continues to inspire and resonate today.

Mr K-Lash was the bridge between the two: a voluble, vivid lyricist whose pen-pictures of his Hackney neighbourhood were both a counterpoint to — and, likely, an inspiration for — many of the grime MCs making their name across east London and beyond.

Klash's early releases were hailed as instant classics, but were eclipsed in when he teamed up with Nottingham beatmaker Joe Buhdha for the classic album Lionheart: Tussle with the Beast. Klashnekoff came along at exactly the right time for music, but was arguably too far ahead of the game to become the big name his talent truly merited. An innovator since his teenage days at the forefront of More Fire Crew, Lethal Bizzle — back then, just Lethal B — has always been ahead of changing trends in music, and technology.

When garage collapsed amidst bad publicity and acrimony over the next year or two, Bizzle reinvented himself as a solo artist, bridging divides between rival crews in with one of the most important grime tracks of all time: Pow! An anomaly in grime's early days, Pow hit the top ten after laying waste to London's clubs — acquiring the status of legend, it was so riotous it was even banned by numerous anxious club-owners.

Kano has been there at many pivotal moments in UK rap history, making his presence felt and known. With each album that followed, Kano continued to push the boundaries of what he considered grime to be and yet, because of this, he had lost much of the flare that had garnered so much attention. Talking Da Hardest was the national anthem for young people. Back then I was heading up the MTV Base and Dance channels and you didn't tend to get loads of excitement there around British artists.

But suddenly Giggs came along and everyone was buzzing about him — my interns, the streets. He came had that distinct, throaty, deep, monotone, gravely voice that encompasses Jamaican slanguage and the cockney, street vibe perfectly.